I'm in the library, and there was the most hilarious guy in here earlier. Everyone was being very quiet, working away, and then this french guy just comes in and starts talking really loud on his phone, in French. He was just strolling around people's computers, weaving around the room, not a care in the world, just talking away. Then when he finished (about ten minutes later, no joke) he just walked off. Incredible moment for me.
I've been in the Library for about five hours, the storyboard took quite a long time, but, despite a fair bit of rework I had to do on the script, I got it done, and wrote out a pretty efficient shot-list for us to work with. Went for a recce down to Jack's basement yesterday, seems like a pretty decent location, got Jack to get us a blue lightbulb to plug into the ceiling, should make the scene look pretty rad. Tried contacting a few others from the group today but not managed to get hold of any of them, hoping I've not put in this work for nothing. Andrew had better bring back my blackberry cable as well.
The idea I have for it is pretty basic. You get no explicit description of any sort of back-story, or what any of these events could be about, but we can imply some sort of story-line; the one I had in mind was perhaps a mole in a company being discovered and tortured. I wanted to see a huge amount of contrast between the SHE and the rest of her surroundings, and I went about this by suggesting that she be dressed all in a black suit, very clean, with the other two characters being dressed in lighter clothing, covered in muck and blood, and the surroundings also being extremely dingey. We imply that she is someone high up in the company with this, and that she has been forced to come down to this awful, grotty suburb to deal with something. It's quite an unusual situation, one would assume, and fairly interesting. Obviously used lots of different things to show dominance, weakness, fear, focus and whatnot, but I won't list that here.
Uri's group is doing a sex horror, I rang Uri to find out if he had storyboarded it yet, because I knew he was directing it, and he said he was doing it tommorow. I literally cannot fucking wait to see what that little guy comes up with.
This post is too long amigos, adios
I've been in the Library for about five hours, the storyboard took quite a long time, but, despite a fair bit of rework I had to do on the script, I got it done, and wrote out a pretty efficient shot-list for us to work with. Went for a recce down to Jack's basement yesterday, seems like a pretty decent location, got Jack to get us a blue lightbulb to plug into the ceiling, should make the scene look pretty rad. Tried contacting a few others from the group today but not managed to get hold of any of them, hoping I've not put in this work for nothing. Andrew had better bring back my blackberry cable as well.
The idea I have for it is pretty basic. You get no explicit description of any sort of back-story, or what any of these events could be about, but we can imply some sort of story-line; the one I had in mind was perhaps a mole in a company being discovered and tortured. I wanted to see a huge amount of contrast between the SHE and the rest of her surroundings, and I went about this by suggesting that she be dressed all in a black suit, very clean, with the other two characters being dressed in lighter clothing, covered in muck and blood, and the surroundings also being extremely dingey. We imply that she is someone high up in the company with this, and that she has been forced to come down to this awful, grotty suburb to deal with something. It's quite an unusual situation, one would assume, and fairly interesting. Obviously used lots of different things to show dominance, weakness, fear, focus and whatnot, but I won't list that here.
Uri's group is doing a sex horror, I rang Uri to find out if he had storyboarded it yet, because I knew he was directing it, and he said he was doing it tommorow. I literally cannot fucking wait to see what that little guy comes up with.
This post is too long amigos, adios
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